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And you mentioned the word "talent" and Jimmy Buffett in the same sentence. Is that a first?
Then came the 80-minute CD. Label chiefs probably looked at the playing field, looked at the budgets they were cutting checks for and said, "To hell with spending our money on lowly B-Sides... Everything goes in!" And now, the 12-song album is fairly standard and bands will put everything they have onto it, including a lot of stuff they previously could have been more discerning toward.
A corollary to the number-of-tracks question: My perception was that, particularly among established rock acts, song lengths expanded through the late '80s and well into the '90s to fill the extra space on CDs. They seem to have contracted a bit since then.
When that Colin James Hay song came out, it made me realize – as if "Overkill" hadn't proved to me tht fact already – that there was a lot of talent in him. Really good stuff. He and Peter Gabriel were really ahead of their time in terms of embracing African music.
"Let Me Go" is still one of the best songs of the new wave era. I can't believe it never broke the top 40.
I remember during my freshman year in college that some Philly-area guy on my dorm floor either lent me the Robert Hazard album or played it for me. Total awesomeness. Our college station played the hell out of the album. Of course, Robert then made a fortune on "Girls Just Wanna Have Fun" royalties…
I actually hear the song 'Escalator of Life; on Radioio's New Wave station on iTunes quite a bit.
And sorry, but I will never, ever like Heart.
Music does run in families!!
Not that I'm about to defend either act.
Surprising-but-true Corey Hart fact: Eric Clapton plays on his first album. (That's not offered as defense of Corey, by the way -- more as another signpost on the long slow road towards Clapton's total irrelevancy.)
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Oh yeah, "Escaltor of Life" was a cult hit up here in Toronto. I know I heard it on CFNY a fair bit, although it didn't cross over to the top 40 stations. I'd put it as the best song ot this week's posts.
* If you dug that Hawks song, you should definitely head over to NotLame.com and pick up a copy of "Perfect World Radio," which offers as much of a summary of their sound as can be legally found on CD. (Their two proper albums have yet to be released on disc.) There's some really great stuff on there.
* I bought Colin Hay's solo debut because I was such a huge Men at Work fan, and when it proceeded to make only the tiniest ripple, I was stunned...but I still kept buying his stuff, anyway, and I've been thrilled that more and more people are finally realizing that there's more to him than songs about vegemite sandwiches.
* "If Looks Could Kill" rocks, "Let Me Go" is awesome, and if I never heard "Shiny Shiny" again, it'll be A-OK with me.
That's Gold Dave - GOLD!
First is The Hawks. "Right Away" is certainly nothing special, but they did have a great song, "It's All Right, It's O.K." It's more representative of their sound, which was more pop rock than today's entry.
http://eschorn.home.comcast.net/myfilelocker/It...
have to agree with your comments on the Headpins lead singer. However, I love the "Just One More Time" and bought their greatest hits (hit?) on a Canadian CD just to get this song.
Finally, I couldn't agree more about Heart's "How Can I Refuse". I'm actually surprised this made it to #44, as it never seems to get played on classic rock radio anymore. "Passionworks" was definitely a transition album as they moved toward a more middle of the road sound, but "How Can I Refuse" really stands out (I don't mean to pile on, but if Ann has "lost a ton of weight", then she was two tons before the surgery).
I never paid any attention to Dan Hartman other than "I Can Dream About You" (which I absolutely love, and is the kind of song I will hang around a department store for a few extra minutes for when it comes on over the PA) although apparently he has some songwriting and production credits to his name for other artists.
Colin Hay is a fantastic songwriter, and I would argue that his solo efforts showcase this fact better than Men At Work. Don't get me wrong, I adore Men At Work, and always get happy when listening to their songs, but there seems to be a happy pop sheen over all those songs that take away from the structure of the songs(see his solo reworkings of the Men At Work hits for further clarification) He is also a fantastic live act. Half of his set comes off as stand up comedy, he is an absolute riot in between songs, and a great storyteller.
Would you call "Dirty Laundry" Henley's biggest hit? I'd think "Boys of Summer" would hold that title, or did "Laundry" actually chart higher? If anything, "Boys" is the one that most people know, and that still gets "several times daily" airplay on the radio these days.
As for Heart, I also prefer the older stuff. Seriously, "Barracuda"..."Magic Man".."Crazy On You"...that stuff is badass. "All I Wanna Do Is Make Love to You", "Never", "Alone"..pop radio AOR fluff. Mind you, it's GOOD pop radio AOR fluff, but there is a definite dropoff point in the band's recorded output.
That Heaven 17 song is a true gem, and I play it almost everytime I spin at my weekly DJ gig.
I will always have a special place in my heart for Robert Hazard, you can read my drooling fanboy rant in the comments of Jon's column from last week.
AOR fluff - it's what the decade is all about!
a remake of a Buddy Holly song or a Neil Sedaka song ?
..
I know I heard that song growing up & it wasn't Dan Hartman's version..