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Thanks so much for pointing me to a year-old article on the New Monkees. The comment from Marty Ross (made ELEVEN months later. Google yourself much?) is GOLD.
When a former member of the New Monkees tears you one, that is a solid gold feather in your writing cap (or a solid gold turd in your shoe)!
And it might sound cliche, but if you want to start listening to The Moody Blues, you really can't go wrong with Days of Future Passed. Overall, I'm not a huge fan of The Moody Blues, but this album moves me every time I hear it, and it was one that I played for my infant son at night when he couldn't sleep.
You'd think the abovementioned ME collection would contain their other Hot 100 placing, but alas. So thank you for allowing me to have "Hands Across the Sea" in digital form. The "Back to Back Hits" reissue of "Melt" and "Hands" was the first release I ever owned to bear the 4AD logo, so both songs hold extra personal significance.
Eddie Money's not your cup of tea? I have a hard time computing that one. Goes to show you never truly know someone you only glean insights about once a week.
Who was clamoring for a Monkees reunion? Only the kids who made the original sitcom one of MTV's most successful programs of the mid-80s and renewed Davy's pin-up status. Though you're both right about "Heart and Soul" (my copy's on pink vinyl!) being pretty damn good and Pool It! being miserable. It's still a few shades above the Nesmith-included Justus from '96. I give the Monkees a wider berth than most people (hell, I even own Changes) but that record didn't last a week in my library. (And even if the "Daydream Believer" remix is superfluous, it does boast "Randy Scouse Git" on the flip, so I'll allow it.)
I'm on a time crunch this morning, but I'll return to weigh in on "What Do All the People Know". And BOY, am I gonna weigh in.
I'm just sayin.
I went looking for the video for "Heart and Soul" (which I loved as a kid), but couldn't find it. I did find this video of a girl who won the Nick Rocks contest to meet the Monkees, and the memories came flooding back. I'm almost positive I taped this off of Nick during a Monkees marathon and the video is lying around somewhere.
http://www.youtube.com/watch?v=FrZJn6n2aME
The MTV 24-hour Monkees marathon is where the network started going bad. It was actually a nice idea--they pushed the Monkees as godfathers of the music video, which is a defensible position--but the overkill swallowed up most of the summer of '86.
As far as I'm concerned, music began in 1979, which is to say I like the Moody Blues' 80s stuff and I haven't heard anything else. Note that their big comeback ("Your Wildest Dreams") with its 60s-retro video was big the same year The Monkees came back.
Who would have guessed that Mondo Rock's biggest hit (a great song, BTW, and a fine record too) placed eight spots higher than "I Melt With You"? There has to be a (likely very strange) that "Melt" wasn't a bigger hit--maybe it got lost in the first wave of MTV/new wave backlash? Which led to the 60s nostalgia bubble of '86? It's all coming together...
BTW, it's too bad the The Models' "Out of Mind, Out Of Sight" made it to #38 or something. Maybe once this is over you can do all the songs that peaked between #40-#31? Sometimes they really get forgotten...for example: The Models.
I know of two 80s comps that featured "All the People": volume 4 of Just Can't Get Enough (as you mentioned) and the 3rd volume of EMI's Living in Oblivion (where I first discovered it). Both are out of print, and the only version of the song Amazon MP3 offers is an out-of tune cover by Leckerphonics, so this is one to grab and cherish.
I still have not yet begun to weigh in on "All the People", so stay tuned.
I would have sworn that Modern English would have had a third Hot 100 song with "Ink and Paper" - but I see now that it didn't even chart in the UK. Too bad, that was a very solid song. I remember them playing it on MTV's Spring Break...guess even MTV's influence couldn't get people to buy it. And it's a good thing that that awful "I Melt With You" remake didn't come out until 90 so it didn't have to be part of this feature...I can't believe it actually charted higher than the original!
If the label doesn't say Sire or 4AD (or Rhino), and the video contains sunflowers, SEND IT BACK.
Can I follow my weigh-in with a shameless plug for my Bottom Feeders radio special a week from Tuesday?
"What Do All the People Know" is on the muzak rotation at my local supermarket.
Could 1987 have been the worse Top 40 year in the 80s?
I love this series by the way - it's always the first thing I check on Wednesday mornings!
Thanks for reading and commenting.
I remember when the Monkees had their second 15 minutes of fame. "Daydream Believer" was ll over MTV, and the old TV show got brought back to the airwaves(yeah, THAT was necessary) I mean, I like their sugary sweet hits just as much as the next guy(yeah, thats a Monkees record in that stack of vinyl over there) but come on.
As is always the case with a band following up its (mildly) successful first album, Robbie was trying to put "I Melt with You" in the past while talking up "Ricochet Days" (which is, and was then, largely a snoozer of an album). How things change...
It is kinda fascinating that so many songs that a lot of people considered decade-defining '80s hits (like this one), got very little chart love at the time (see also Split Enz, Missing Persons, Talk Talk, New Order, et al).
I think it's a fantastic album. While not as quite as strong track-for-track as "After The Snow", I think it sounds great even today...
Also, "After The Snow" was actually Modern English's second album...their first being the woefully underrated "Mesh And Lace" which came out in 1981 on 4AD, but never saw a US release...
It wasn't a pop record by any means, but is still a great post-punk gem, slotting in nicely between Bauhaus and (very) early New Order.
Discogs.com has all the details.
(Son of a bitch...this is the answer. I didn't realize it wasn't the album version - I thought the album version was remixed (see why it would help to know music before 1980?) Which means you have saddened my day - now knowing that I don't actually own this song. Though that should be an easy purchase in just a few minutes.)
Turns out I was mistaken about owning that 45, so if you could ever upload the remix once you get it, I for one would be appreciative. (And if anyone could float me the mp3 of the New Monkees' "What I Want", let's talk reciprocation.)
Here's the original: http://rateyourmusic.com/release/single/the_monkees/daydream_believer___goin_down/
And here's the remix: http://rateyourmusic.com/release/single/the_monkees/daydream_believer___randy_scouse_git/
I think the remix sleeve mentions Then & Now but might not indicate the versions differ. Frustrating, innit?
Oh the other thing I really like about this blog -- and I won't admit which band it was this week -- is I often find musicians whose name I'm familiar with but couldn't place a song or sound with that name if you'd asked me to. But I get that info here. Marshall Crenshaw was the first artist like that for me...
As mentioned earlier, I first heard "All the People" on the third volume of EMI's Living in Oblivion series, which I picked up either in May or June of 1994. I liked it from the get-go; within a few months it would be one of my favorite songs of the era. That was a rough period in my life...my father died of cancer a month after confessing to me that I'd been adopted...and though my musical choices predictably veered towards the somber or melancholy, "All the People" would serve to pick up my spirits and remind me that life served other purposes than just smacking me around.
Fast-forward to the fall of 2001. I'm getting over a divorce, an unrequited crush, and the still-fresh incidents of 9/11. I'm at a club and I run into an old flame I hadn't seen since '93. We're talking, and suddenly the DJ slaps on "What Do All the People Know". I'm shocked and surprised at hearing it in a club setting and invite my re-acquaintance to dance. I sing every word to her (yes, I wasn't sober). After a false start, we start dating the week before Christmas, a relationship that lasts half a year (a record for me, marriages notwithstanding).
So "All the People" has served on more than one occasion as a beacon of hope, corny as that sounds. It can bring a smile to my face and mist to my eye, sometimes simultaneously. If I were to assemble a short list of my favorite Bottom Feeders covered to date, it would wind up somewhere in the top three. If not higher.
And now I've got to hear it again...