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The Fourteenth Day of Mellowmas: 867-5309 To the World
Of those Quarterflash songs, the one I remember most fondly is "Night Shift," as it was the theme song to the Henry Winkler / Michael Keaton film. I still love that flick.
Hard to believe "Flash" wasn't a top-40 hit. ("Gordon's ALIVE!") As far as Queen's classic albums go, I realize it wasn't part of their '80s output, but I still think that, as swan songs go, "Innuendo" was really quite good.
In closing, Quiet Riot may have sucked (though I would personally take exception with that, given that their music was a definitive part of my early teens), but any band who could raise the profile of Slade's classic '70s output at least deserves some props for that.
I'm sorry but that moment lives on my mind whenever I hear about the band.
I do love Queen, and I have a great fondness for all of their albums. Perversely, "Hot Space" is a favorite. I was working in a record store at the time that he died and believe me, morale was utterly destroyed that day we learned about it. Everybody working in the place except for one overaged hip-hop guy was devastated. Back in 1991, record store kids still gave a shit about rock and roll. But not for too much longer.
As for QR, let's hear it for SLADE! I still surprise friends of mine (who really liked the QR records) by playing the originals. Then, they ask to hear more! That, to me, is the whole point of having friends over for music marathons. If someone goes home with a new favorite band, I feel like I've done a good deed. Ironically, the week's worst song might just be Slade's best song (either that or "Gudbuy T' Jane") and all of their singles were bottom feeders in the 70's. In fact, Slade finally had two top 40 hits in America in 1984. QR undoubtedly helped make that happen, so maybe I oughta cut the daisy-pushin cokehead a little belated slack.
I would argue that Big Country probably had more to do with the success of "Run Runaway" than Quiet Riot...
I have to admit I didn't know Slade until Quiet Riot came around. It's great that they finally got some exposure in the 80's, but I think Noddy Holder may have been the ugliest person to ever appear on MTV.
Man, I thought I knew Queen pretty well, but I don't recognize "It's a Hard Life" or "Need Your Loving Tonight" at all.
Slow.
Quick. Quick.
Slow.
No argument about its coolness.
I'm not immediately familiar with the Quarterflash tracks here beyond "Night Shift"...on first listen, "Right Kind of Love" sounds cut from the same cloth as their first two hits (they sure loved them some B minor). I still can't believe "Walking on Ice", the first single from '85's Black Into Blue, missed the chart altogether. I'm looking for the single remix to spin on the Club Hour occasionally. Take a listen, it's nice and synthy (no comment on the video itself): http://www.youtube.com/watch?v=QJWllEMjpuI
I love "Lipstick", even if Van Morrison was denied the co-writer's credit he obviously deserves. I'm hoping to find a comprehensive Suzi best-of, "Devil Gate Drive" and "Stumblin' In" (with Smokie vocalist Chris Norman) are also favorites. (No mention of Leather Tuscadero? I have to think of everything...)
This has been my week for Queen; I added The Game and A Day at the Races to the collection on Monday, and now I get to fill in some gaps here...most notably "Calling All Girls", though Hilly Michaels will always own that title.
I second the notion that Quiet Riot deserves kudos for giving Slade a Stateside boost, but drawing two buckets from that well smacks of creative bankruptcy. (It didn't help that there was a competing cover of "Crazee" from the Irish band Mama's Boys released around the same time.) That said, Metal Health will weasel its way into the KoG library in the future.
By the way, I'm not knocking K-tel records. They were how I got my earliest music "education" since I was six. I was always fascinated by the songs on the albums that I didn't know (and more than a few were never hits) and I tended to judge most of the songs equally. As a result, from a young age, I liked music from all categories and I didn't dismiss songs just because they didn't fit a favorite genre. Coincidentally, one of the best K-tel's of all time was "Believe in Music" from the spring of 1973. Guess what "hit" was stuck on the middle of side two? "Mama Weer All Crazee Now" by Slade (#76, January 1973.) I played that track to death, until my crappy cheapo "record player" wore it out enough to make it skip. I was six and suddenly I was "into" Slade. Years later I'd finally discover how awesome they really are but the cold hard fact is that it was some cheesy K-tel record that opened up a door beyond the top 10 AM radio hits of the day. It must be noted, however, that that same album also contained two Donny Osmond solo hits. "Go Away Little Girl" was a goddamned #1 hit.
But it also had the immortal Raspberries and The O'jays. But Bobby Vinton was along for the ride, too. To my six year old ears, there was nothing schizophrenic about this lineup. It's kinda like racism. If nobody plants the idea in your head that certain music is automatically awesome and other music sucks by default, then you can appreciate just about anything you hear, even if you have to listen to "How Do You Do?" to get to "Long Cool Woman In a Black Dress". And I love 'em all - even the Donny Osmond ones. You may fire when ready.
He DOES look like "Weird Al" crossed with Mark Mothersbaugh!!! What a brilliant and dead-on accurate observation. But wait, is that Paul Lynde on the drums and Ray Liotta on keyboards? Or maybe Tony Curtis... either way, the guy's got connections. You gotta have some major pull to bring Paul Lynde back from the dead to play in your band.
Isn't it odd that a song as completely inorganic as "Dancing in Heaven" has a live performance video? There's something simultaneously uncool and fantastic about this. I've always loved this song, but now it finally sounds "humanized".
One note about Quiet Riot...some time back in the mid-late '90's they just showed up at a bar here in tiny Richmond, Kentucky and asked to play a set that night. They did just that, with no advertising or marketing leading up to it. Left town immediately afterwards and moved on to some other sleepy burg I guess.
...and nobody else wants to do this? All right, I'll take it.
Gimme
Gimme
Gimme
Gimme
FRIED CHICKEN!
Q-Feel . "Dancing In Heaven" gets a lot of play here. I was once blessed by a popular DJ here in town who was at my gig saying "wow, you're really playing this. Nobody ever plays this. This is my wife's favorite song." I like mixing it with Peter Godwin's "Images of Heaven" Obvious reference point with the whole heaven thing, and the songs work together, oddly enough.
Queen is by far one of the best bands of all time. Their early 70s output is some of the most creative and insanely weird stuff ever put to tape. So way ahead of their time. Funny how all the early stuff boasted that "no synthesizers were used on this album" and then they went that route come the 80s, haha. There are some excellent tracks to be found on their later stuff, but as far as full albums go, it's mostly filler.
I admittedly like Quiet Riot, though I do see them for what they are - second tier hairmetal band and part time Slade cover band. Either way, they were always fun.
on to this week!!!