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<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Popdose - Latest Comments in Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.disqus.com/</link><description>Culturally inspired writing.</description><atom:link href="https://popdose.disqus.com/bottom_feeders_the_ass_end_of_the_821780s_part_71/latest.rss" rel="self"></atom:link><language>en</language><lastBuildDate>Thu, 21 Apr 2011 12:32:35 -0000</lastBuildDate><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-188909103</link><description>&lt;p&gt;I thought you and your readers might like the interview show I did with Peter Godwin recently. It covers Metro, his solo 80s output, his collaboration with Steve Winwood and his new band Nuevo. Lots of good music and talk! It streams free at &lt;a href="http://neatnetnoise.com/radio-show/2011/04/interview-with-peter-godwin-no-streaming/" rel="nofollow noopener" target="_blank" title="http://neatnetnoise.com/radio-show/2011/04/interview-with-peter-godwin-no-streaming/"&gt;http://neatnetnoise.com/rad...&lt;/a&gt;&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Doug</dc:creator><pubDate>Thu, 21 Apr 2011 12:32:35 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-42590891</link><description>&lt;p&gt;"you've been making out with someone else's makeup"  aaaah suzi....&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Todd</dc:creator><pubDate>Thu, 01 Apr 2010 00:11:41 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-39576776</link><description>&lt;p&gt;Oh, Stacey Q... dance music doesn't get much simpler than her first two hits.  I actually liked "Don't Make A Fool Of Yourself" a lot, but I guess it was too sophisticated for radio then.  :)&lt;/p&gt;&lt;p&gt;I know that Quarterflash usually gets bashed by critics, but I like the sultriness of Rindy Ross' vocals.  And they definitely had a distinct sound.  I have their first CD and there's a great rock ballad by their guitarist, Jack Charles, called "Critical Times".  It's a beautiful song, and I wonder if they ever had any plans to release it.  Since Jack sang it and Rindy didn't, I guess it was destined to be just an album cut.  It's on their greatest hits CD too.&lt;/p&gt;&lt;p&gt;Suzi Quatro is another fave.  She is the true female rock pioneer, and without her we wouldn't have had Joan Jett.  I like the speak-singing of "Lipstick".&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Frank</dc:creator><pubDate>Sun, 14 Mar 2010 01:16:13 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-39576497</link><description>&lt;p&gt;Hey - I still have my copy of "I Believe in Music"!  My sister got it in 1973 and I inherited pretty much all of her vinyl when she grew up.  That was the first K-Tel album that I listened to as well.  :)&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Frank</dc:creator><pubDate>Sun, 14 Mar 2010 01:08:04 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-25026999</link><description>&lt;p&gt;Did you know that Martin Page of Q-Feel is the same guy who wrote "We Built This City" with Bernie Taupin? Meet him Thursday, December 10th on my radio show, Doug Lynner's World of Noise at 6&amp;amp;9pm Pacific time on &lt;a href="http://www.flashbackalternatives.com" rel="nofollow noopener" target="_blank" title="http://www.flashbackalternatives.com"&gt;http://www.flashbackalterna...&lt;/a&gt;. Go to &lt;a href="http://www.neatnetnoise.com" rel="nofollow noopener" target="_blank" title="http://www.neatnetnoise.com"&gt;http://www.neatnetnoise.com&lt;/a&gt; for more info.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Doug Lynner</dc:creator><pubDate>Mon, 07 Dec 2009 15:33:07 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-24169483</link><description>&lt;p&gt;Got a question for ya... In an old post you mentioned "Loz Netto" was the original guitarist for Sniff n The  Tears.  Is this the same guy who appears as the lead guitarist in the myriad of videos of "Driver's Seat"?  I was just short of a teenager when Driver's Seat came out and honestly hadn't listened to this most amazing of one hit wonders in quite some time.  Upon watching the videos on YouTube, I was actually far more impressed with the guitarist than I was with Paul Roberts (and of course ya gotta love a Moog playing in the background) and until I found your post I was coming up empty on the question of who that guy was in the video.  I gotta say, if what you'd posted was Netto's best solo effort I can understand why I'd never heard of him before (we all have opinions and I certainly don't hold mine are any more valid than anyone else's, I just didn't particularly care for whatever the song was you posted).  It is, of course, more than likely he was just a good guitarist who lucked into being the guitarist of record during Sniff's only real hit as opposed to him being a great guitarist who turned the song into a hit (it certainly wasn't Robert's looks or the video which made "Driver's Seat" so appealing).  Anyway, if you could let me know if indeed Netto is the cat I'm lookin' for I'd appreciate it.  I just can't tell if the guitarist on the Driver's Seat videos and Netto are one and the same solely from what I can see on the two videos.  Thanks... &lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">ART</dc:creator><pubDate>Fri, 27 Nov 2009 06:59:13 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-19850215</link><description>&lt;p&gt;awww, maaaaan. Way late to the party here. I had a good deal to say about the Q week, so yeah, might as well start there..Stacey Q. Love, love, LOVE her. My first exposure to her was obviously "Two of Hearts" I recall exactly where, too. Steed - coming from the same area, being the same age- perhaps you recall this one: Dancin' On Air. (the awesomely awful theme song now stuck in my head) There was a girl, a "regular" on the show, who had a solo dance routine to the song and she did some goofy shoulder move to the "i-i-i-i-i-i-need" part that has stuck with me to this day, and even now, whenever I spin the song(which is almost every set) I find myself doing it. UGH! haha. I play "Shy Girl" a lot too, and occasionally "We Connect"(which is essentially "Two of Hearts" part two) and "Insecurity" as well. I even once in awhile break out some SSQ. "Tonight(Make Love Til We Die)" from the Return of the Living Dead soundtrack in particular. That one is definitely(as always) getting played during my Halloween set later this month!&lt;/p&gt;&lt;p&gt;Q-Feel . "Dancing In Heaven" gets a lot of play here. I was once blessed by a popular DJ here in town who was at my gig saying "wow, you're really playing this. Nobody ever plays this. This is my wife's favorite song." I like mixing it with Peter Godwin's "Images of Heaven" Obvious reference point with the whole heaven thing, and the songs work together, oddly enough.&lt;/p&gt;&lt;p&gt;Queen is by far one of the best bands of all time. Their early 70s output is some of the most creative and insanely weird stuff ever put to tape. So way ahead of their time. Funny how all the early stuff boasted that "no synthesizers were used on this album" and then they went that route come the 80s, haha. There are some excellent tracks to be found on their later stuff, but as far as full albums go, it's mostly filler.&lt;/p&gt;&lt;p&gt;I admittedly like Quiet Riot, though I do see them for what they are - second tier hairmetal band and part time Slade cover band. Either way, they were always fun.&lt;/p&gt;&lt;p&gt;on to this week!!!&lt;br&gt;&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Chris X</dc:creator><pubDate>Sun, 11 Oct 2009 11:39:12 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-19849115</link><description>&lt;p&gt;I found my thrill....&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Chris X</dc:creator><pubDate>Sun, 11 Oct 2009 10:56:16 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-18358139</link><description>&lt;p&gt;Haha. Metal bias, that's funny. &lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">steed</dc:creator><pubDate>Sat, 03 Oct 2009 10:53:15 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-18349352</link><description>&lt;p&gt;Sorry but Quiet Riot did not suck. If you can get past a metal bias most "writers" have maybe you could understand their appeal. They were one of the highlights for Rocklahoma 1 for me and yes I know only 2 members of the popular lineup were there but the were still great.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Don</dc:creator><pubDate>Sat, 03 Oct 2009 04:03:13 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-18281495</link><description>&lt;p&gt;OK, I guess I'll be the only one who thinks "Dancing in Heaven" is pretty awful.  It's like an 80s version of clueless/faceless disco, but with the over-earnestness of a song from a children's program.  I can picture Martin Page delivering a song like this, wide-eyed, to a group of day-glo-clad moppets.  "Time for the 'Stranger Danger' song!"  I first got the song on one of the Rhino Just Can't Get Enough CDs, and didn't think much of it.  Now it's more of a 'can you believe this' sort of track for me.&lt;/p&gt;&lt;p&gt;...and nobody else wants to do this?  All right, I'll take it.&lt;/p&gt;&lt;p&gt;Gimme&lt;br&gt;Gimme&lt;br&gt;Gimme&lt;br&gt;Gimme&lt;br&gt;FRIED CHICKEN!&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Don Karnage</dc:creator><pubDate>Fri, 02 Oct 2009 08:53:12 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-18154697</link><description>&lt;p&gt;Just two rock star/jazz-blues musicians' deaths affected me at all, emotionally: Kurt Cobain and Freddie Mercury, Freddie much more so than Kurt.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">mojo</dc:creator><pubDate>Thu, 01 Oct 2009 23:05:36 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-17953978</link><description>&lt;p&gt;I thought they were deliberately trying not to release similar singles back-to-back so as not to get pigeonholed.  But Another One Bites the Dust was SO huge that Queen essentially turned into a joke (with US rock audiences anyway) and when Need Your Loving Tonight tanked the band apparently decided to just go with the joke thereafter.  &lt;br&gt;   &lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Russ</dc:creator><pubDate>Thu, 01 Oct 2009 15:42:18 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-17927852</link><description>&lt;p&gt;Thank you very much for the offer, but our own DW Dunphy came to save the daaaaaaaay! &lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">DavidMedsker</dc:creator><pubDate>Thu, 01 Oct 2009 09:18:33 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-17914552</link><description>&lt;p&gt;Would an mp3 suffice?&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">kingofgrief</dc:creator><pubDate>Thu, 01 Oct 2009 00:14:28 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-17905642</link><description>&lt;p&gt;Cheap Trick has a Slade song on their current CD.  The song is "When The Lights Are Out" and it is supposedly a version that has been sitting around for 30 years or so.  It's a great song and it totally suits Cheap Trick.&lt;/p&gt;&lt;p&gt;I have to admit I didn't know Slade until Quiet Riot came around.  It's great that they finally got some exposure in the 80's, but I think Noddy Holder may have been the ugliest person to ever appear on MTV. &lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Eric S.</dc:creator><pubDate>Wed, 30 Sep 2009 22:19:05 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-17901032</link><description>&lt;p&gt;It absolutely breaks my heart that Queen's Innuendo was a 1991 album because it won't make your chart.  Well for that reason and because it had no hit singles in the US.  It marked a return to their "epic" song style and includes some of their strongest work.  Practically the whole thing is Freddy's take on mortality including te heartbreaking "These are the Days of our Lives" and "The Show Must Go On."  Although it has a fair amount of filler (seriously Feddy, your cats?) t's quite a shattering record.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">ETL</dc:creator><pubDate>Wed, 30 Sep 2009 20:42:18 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-17900521</link><description>&lt;p&gt;I love Dancing in heaven, check this out: &lt;a href="http://dansoninheaven.ytmnd.com" rel="nofollow noopener" target="_blank" title="dansoninheaven.ytmnd.com"&gt;dansoninheaven.ytmnd.com&lt;/a&gt;&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">philz88</dc:creator><pubDate>Wed, 30 Sep 2009 20:25:34 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-17897663</link><description>&lt;p&gt;Wow, Martin Page was the singer for Q-Feel.  I remember he co-wrote one of my favorite tracks on Robbie Robertson's Storyville record and by the time he had his solo hit record in the 90s I was aware of the previous hit songs he wrote. But, I never connected the Q-Feel song that showed up on the various compilations with him.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Elysium</dc:creator><pubDate>Wed, 30 Sep 2009 19:03:41 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-17896717</link><description>&lt;p&gt;I used to have great, fond memories of Dancing in Heaven, and had not heard it for years until Popdose had it up a few weeks ago; and now I realize it is pretty bad, specially compared to other electro pop and euro dance tracks from the period, like Tapps, the Flirts, Bobby ORlanda, Claudja Barrry, Lime et. al. Actually, I do not remember it being released again in 1989, only remember it as part of the big wave of Hi NRG hits of the early eighties. Talk about lost gems.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">drxl</dc:creator><pubDate>Wed, 30 Sep 2009 18:36:12 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-17895796</link><description>&lt;p&gt;Wow, this is weird. I had Believe In Music, too, and I certainly didn't remember Slade being on it! Turns out, there was a licensing problem--original copies of the album had "Mama Weer All Crazee Now", but after a few months it was replaced by "Let Your Yeah Be Yeah" by Brownsville Station, and that was the version I had. I got mine from someone else so I didn't know when it was purchased anyway. Fascinating. &lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Brett Alan</dc:creator><pubDate>Wed, 30 Sep 2009 18:16:31 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-17894118</link><description>&lt;p&gt;Given my somewhat extensive knowledge 80's music, I am ashamed that I didn't hear the Q-Feel song until the '89 re-release.  Chalk that one up to growing up in Central Kentucky.  I never had a mp3 version of it until now, so that's a highlight for me this week!  I was working in college radio in 1989, and there was a fad at the time among commercial radio programmers to unearth underappreciated gems from earlier in the decade and put them into current rotation.  Moving Pictures "What About Me" is another example of this.  I think that speaks volumes about the new music releases from the music industry at the time.&lt;br&gt;One note about Quiet Riot...some time back in the mid-late '90's they just showed up at a bar here in tiny Richmond, Kentucky and asked to play a set that night.  They did just that, with no advertising or marketing leading up to it.  Left town immediately afterwards and moved on to some other sleepy burg I guess.  &lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Keith629</dc:creator><pubDate>Wed, 30 Sep 2009 17:36:57 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-17891736</link><description>&lt;p&gt;Just checked ebay. Lots of choices, even a sealed LP.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">sneezebag</dc:creator><pubDate>Wed, 30 Sep 2009 17:05:20 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-17889821</link><description>&lt;p&gt;Re: the Q-Feel video:&lt;br&gt;He DOES look like "Weird Al" crossed with Mark Mothersbaugh!!! What a brilliant and dead-on accurate observation. But wait, is that Paul Lynde on the drums and Ray Liotta on keyboards? Or maybe Tony Curtis... either way, the guy's got connections. You gotta have some major pull to bring Paul Lynde back from the dead to play in your band.&lt;br&gt;Isn't it odd that a song as completely inorganic as "Dancing in Heaven" has a live performance video? There's something simultaneously uncool and fantastic about this. I've always loved this song, but now it finally sounds "humanized".&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">sneezebag</dc:creator><pubDate>Wed, 30 Sep 2009 17:01:26 -0000</pubDate></item><item><title>Re: Bottom Feeders: The Ass End of the &amp;#8217;80s, Part 71</title><link>http://popdose.com/bottom-feeders-the-ass-end-of-the-80s-part-71/#comment-17889381</link><description>&lt;p&gt;The Q-feel song is pretty great. Here's something weird: The first time I heard it was on a K-tel record called "Get Dancin" (U.S. album, not the old U.K. one) that I bought in February 1983 (I'm a receipt keeper). Never heard of that tune before, but dug it immediately and it quickly became my favorite on the album. According to the Billboard Bubbling Under book, the single first charted on March 26, 1983 lasting just two weeks and peaking at #110. Usually the K-tel principle works in the other direction. I can't think of another instance where a song charted after retiring to the K-tel graveyard, and then this one went on to finally break the top 100 six years later? That just about never happens. I don't remember why the sudden popularity in 1989, but then again, Benny Mardones was back in the top 20 with his nine-year-old #11 hit at the same time. Planetary alignment?&lt;/p&gt;&lt;p&gt;By the way, I'm not knocking K-tel records. They were how I got my earliest music "education" since I was six. I was always fascinated by the songs on the albums that I didn't know (and more than a few were never hits) and I tended to judge most of the songs equally. As a result, from a young age, I liked music from all categories and I didn't dismiss songs just because they didn't fit a favorite genre. Coincidentally, one of the best K-tel's of all time was "Believe in Music" from the spring of 1973. Guess what "hit" was stuck on the middle of side two? "Mama Weer All Crazee Now" by Slade (#76, January 1973.) I played that track to death, until my crappy cheapo "record player" wore it out enough to make it skip. I was six and suddenly I was "into" Slade. Years later I'd finally discover how awesome they really are but the cold hard fact is that it was some cheesy K-tel record that opened up a door beyond the top 10 AM radio hits of the day. It must be noted, however, that that same album also contained two Donny Osmond solo hits. "Go Away Little Girl" was a goddamned #1 hit.&lt;br&gt;But it also had the immortal Raspberries and The O'jays. But Bobby Vinton was along for the ride, too. To my six year old ears, there was nothing schizophrenic about this lineup. It's kinda like racism. If nobody plants the idea in your head that certain music is automatically awesome and other music sucks by default, then you can appreciate just about anything you hear, even if you have to listen to "How Do You Do?" to get to "Long Cool Woman In a Black Dress". And I love 'em all - even the Donny Osmond ones. You may fire when ready.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">sneezebag</dc:creator><pubDate>Wed, 30 Sep 2009 16:51:39 -0000</pubDate></item></channel></rss>