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CHART ATTACK!: 11/20/76
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CHART ATTACK!: 11/20/76
"Your Wildest Dreams" isn't a bad song in its own right, but it's also interesting because it's surely near the beginning of ex-Yes keyboardist Patrick Moraz's disenchantment with the band. "Hey, I signed up to play all these cool Mellotron parts and play duets with the flute guy, and now we're doing synthpop ballads?"
(Actually, I kind of liked "The Voice," and yes, a lot of their 80s material was cheap rehashing of that song without the hooks.)
Later in the year they'd dump the ballads (no more Cetera!) and 60s stuff and add a ton of hair metal. Damn you and your cultural hegemony, MTV!!!!
I don't know that I can defend Your Wildest Dreams, but I always loved the visuals that the song creates, and I thought the video illustrated those visuals perfectly. I like sappy crap - that's why I like it :-)
Didn't know that about Aardman doing the Sledgehammer video, though. I guess that means I've enjoyed their work for longer than I ever knew.
*("Save the best for last", donthca' know?!)
You suck for making me watch the "Love Touch" video to find out which "movie star" you're talking about. I've made it an absolute mission to avoid that song for 23 years, and you blew it for me. You owe me bigtime. (See, I combined two words there just to piss you off.)
And regarding "Love Touch," this was actually poor writing on my part -- I was trying to hint that later on in our countdown, Ms. Sheedy would get roped into appearing in a courtroom music video, not that there was an additional movie star in Rod's video. That being said, I'm comfortable with the fact that my crappy writing forced you to listen to "Love Touch."
When I don't have a column on Monday, it'll be because I wasted what little cleverness I possess on micromanaging Billy Ocean's song titles. Or because "Love Touch" melted what was left of my brain.
--"Yes, she did!"
--"Oh hell nah, stunt double!"
My 11 year old mind also thought "Sledgehammer" had a pretty "retro 70's soul" (way before those type of things were fashionable). I loved it. Bought the 45 at the Rideau Centre in Ottawa in June '86. Speaking of "retro soul" things....Another lost classic (that didn't go top 10) from that summer: "Digging Your Scene" by the Blow Monkeys.
Those are the only two songs on the chart I really cared for. I may have liked "Who's Johnny" for a few weeks, if only for the oh-so-cool Synclavier/sampler effects. So futuristic then, so dated now.
PS: I also loved Double - great song.
Seems to me the dividing line may have come when all the white pop songwriters moved to Nashville in the early '90s and their songs started being labeled "country." Or was that just a myth?
I always kind of liked Basia's stuff in spite of myself - she somehow made that loungey style of music respectable for at least as long as it took to listen to the song.
Not a big fan of the Moody Blues but I think the video on MTV may have had something to do with the song's popularity. It was a very visual song and the video showed this. Not one of my faves - but loved the video.
Did you also notice that 6 out of the 10 artists are British here, and that 4 of the songs from 2-10 were #1 (Simply Red / Peter Gabriel / Billy Ocean and Peter Cetera).
Regardless, Billy Ocean is the man. THE MAN. Jason, I must agree that the other songs you noted are indeed superior to "..Sad Songs" (parentheses or not)
"Glory of Love"
I think Peter Cetera is a flaming bag of used tampons, but I must admit to liking this song. Probably the Karate Kid connection.
"Who's Johnny" - I just heard they're remaking Short Circuit. I though they did that last year, it was called Wall-E and was one of the most overrated hypemachines released to theaters in quite some time. I was happy to see this song here if for nothing else to see steed pining over El Debarge, but was severely disappointed haha
Simply Red. Man, I hated this song back then, but really dig it now. Funny how things change over 20+ years. The Frantic Elevators were great, I'd love to see most people's reaction when they realize
their favorite Carrot Top of syrup ballads was once uppin' the punx. I havent heard their version of this song though, and I'd certainly like to.
"Danger Zone" - Seriously, FUCK Kenny Loggins.
"Nasty" - who's that eatin that nasty food? What a ridiculous lyric.
"Sledgehammer" - great song, great album, and best video of all time. Love Peter Gabriel.
"Invisible Touch" - despite my love of Peter as referenced above, I prefer Genesis' 80s pop stuff to their prog era. And really, this was their only #1? I'd swear "Land of Confusion" and "Tonight" x 3 were charttoppers too. Damn, who knew?
Even Rod himself doesn't have many kind words for the song, if I remember the annotations for the Storyteller box correctly. I wonder how he'll feel about "If We Fall in Love Tonight" or that recent 70s cover album in five years, They never should have let him out of the cell when the director called "cut".
Now if you'll excuse me, I'm going to dig up my copies of Every Picture Tells a Story and "In a Broken Dream" to purge. I'd offer commentary on the other cuts, but I do enough play-by-play with Steed.
Love love love "Sledgehammer" (does Gabriel have weird teeth or what??), but the rest of the chart is pure poo in my book, including the Genesis track (and I'm a big Genesis fan).