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Cover Me, Game Forty-Five
2. First time I've seen a recorder played outside church or elementary school.
3. I saw Ed Sullivan and immediately thought of "these four young men from Liverpool who call themselves THE RUTLES."
4. Gotta respect Green Day for progressing from this rather humdrum effort to an actual punk-rock concept album. "Dookie," though, had some better songs than this.
2. First time I've seen a recorder played outside church or elementary school.
3. I saw Ed Sullivan and immediately thought of "these four young men from Liverpool who call themselves THE RUTLES."
4. Gotta respect Green Day for progressing from this rather humdrum effort to an actual punk-rock concept album. "Dookie," though, had some better songs than this.
The second side of the Miller album, "Living in the 20th Century," is actually pretty nice with covers of blues classics.
A while back, I promised Jeff an "Idiot's Guide to Steve Miller." That offer is still out there. But in the meantime, you can get a preview at my new blog.
http://playitandbedamned.blogspot.com/
Frankly, speaking on behalf of the other Burners, the downtime was dreadful, but now past us. Let the weekly dissemination of snarkitude commence!
Clapton can suck it!!
Whoops, I've said too much. I swear, I never attended dorm parties in the mid-'80s--much less DJ'd them, or gave in to the geeks who would only dance to that goddam "What I Like About You," which I can no longer listen to without hearing a bunch of nerds yelling "EEEEEEEE!" and seeing them pogo their dorky selves onto the dancefloor.
sorry...
i never loved dookie, but it was pretty good pop rock. i think everything green day has done since then has gotten worse and worse. that boulevard of broken dreams song is awful, and american idiot is almost as bad. and what's with the eyeliner and them going out of their way now to look hot topicy? they're so irrelevant to me it's almost embarrassing. i really dont understand the attraction.
If you haven't managed to discover the mash-up versions of the American Idiot songs that have been floating around the Net for the last couple years under the monicker Dean Gray, they're worthwhile. They manage to ridicule and exult the band simultaneously, by exposing how Billy Joe has aped (and in many cases just ripped off) his musical influences.
Wait... What? She's not...? Oh... dear...