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NO. It sounds time appropriate. Check that - it sounds older than it should, and why? Because you're old! If it sounds like Lauryn Hill and not Alicia Keys, guess what? Old! I'm going straight to YouTube to voice my complaint about that comment, consarn it! See if I don't!
(On the way, I might pick up some salve and Unguintine... It's good for what ails you, dagnabbit)
As a f'rinstance: "There She Goes," by the La's, fits in with the gentle indie guitar rock side of things; in its day, it was part of the Britpop wave. But it would have sopunded good on the radio in 1978, too, among the power-pop of the day—or in 1968, on the tail end of the British Invasion; maybe even in '58. Quality is quality, in any era.
But then, all my favorite songs sound like they were recorded tomorrow.
And if anything, his solo on this version of "You're No Good" is even hotter:
http://www.youtube.com/watch?v=hr9vKWLgZzo
That's a fine outfit to be wearing for a prison concert, isn't it?
http://www.youtube.com/watch?v=cmHX7wzx2ps&feat...
It's hot. Amy's rhythm track slides quite neatly under La Ronstadt.
A forgotten band I reckon. And for the most part desersevedly so. The second half of their career seemed to consist of them taking inspiration from Mick Jagger solo albums.
I saw them three times. The first, when they toured behind "Original Sin," you could tell it was only a matter of time before they were superstars. The second was sheer luck: They decided to open their Kick tour at Radford University in Virginia, and they got there the very day that "Need You Tonight" ascended to #1. They were unbelievably psyched; it was one of the most joyous shows I've ever seen. That was also the last time they'd play a place that small for awhile; the next time I saw them was at the Spectrum in Philly on the X tour, and they were one of the biggest bands in the world at that point.
The subsequent decline was sad to watch (and then later ignore). Cut to 2005 and "Rock Star INXS," in which I couldn't help but find myself invested. It mattered to me who replaced Michael Hutchence, and it actually turned out pretty well.
"Don't Change" was one of my early MTV favorites.
"Suicide Blonde" was a guitar riff and two words from which only so many permutations could arise.