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CHART ATTACK!: 11/20/76
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CHART ATTACK!: 11/20/76
Is there a sweeter chorus than the one in "Friend of Mine"? How about those long intros to "Everybody's World" and "No One Can Hurt Me" - pretty trippy, huh? "Very Best Years" and "Oh Well Maybe" should have ruled the charts, and probably would have...in 1976.
Honestly, I do think the album tends to drag about 3/4 the way in ("Not Long For This World" and "Spooky" are two tracks I usually skip) and I wish they had included just ONE "Nothing" song since they both use the same lyrical pun to get the point across. Brion's voice tends to sound a bit wimpy after a while, but these criticisms are minor when the whole of the album is so terrific.
I bought it knowing absolutely nothing about it, based solely on a short blurb in the Columbia House CD Club catalog and was so pleasantly surprised at how good it was that it continues to occupy a special place in my musical heart to this day.
Now, how about some Owsley or Tommy Keene??
http://www.qdivisionrecords.com/store/
Brought to you by the Society to Prevent Cutouts (SoPrevCo).
Beavis & Butthead also took The Very Good Years apart, making fun of the melodic hook into the chorus and calling it a cross between Stone Temple Pilots and "my nads." I wonder if that had any negative effect on sales.
Then they got to the little scalar run up to the chorus and I was like "Beavis and Butthead! They HATED this song!"
Didn't they hate Jellyfish too? Did Mike Judge single-handedly destroy the 90's power pop movement?
And for the record, I was not the one to say "Damn Yankees." Even though Tommy Shaw was approached by Jon Brion a few years back to form a new group with Robert Manning and ha ha ha even I can't go on with a straight face.
Side note....I interviewed Ted Nugent some years back and he was thinking of reforming D.Y. because he was ready for some more "Damn Yankin'" as he called it. He also talked a lot about hunting which I guess shouldn't be too much of a shock.
Love Brion and Falkner, but not this. Heretic!
Now, Falkner's solo records are a different beast entirely, and Can You Still Feel might just be one of *the* greatest guitar pop records ever. His latest is a bit of a damp squib, mind :(
But when I first came across this album in the 90s, I thought that "Both Belong" could have been a hit. And I still think it could have been a hit.