DISQUS

Popdose: Hall of Fame Week: John “Johnny Cougar” Mellencamp

  • Jackie Brown · 1 year ago
    Don't forget the career and alt-celebrity status of Lisa Germano via The Lonesome Jubilee...

    For those paying attention, yeah, he was more of a "new wave" act from the get-go until this Springsteen Jr. heartland thing took old. Still, even at his peak, he was still more SPIN than Rolling Stone.
  • EightE1 · 1 year ago
    Mr. Happy Go Lucky is a very good record. He had a shit-hot live band at the time. Couldn't tell you who was in it, but I distinctly recall seeing them on TV (maybe it was a Farm Aid thing) and thinking how good they were, and how good he sounded. He's one of the best.

    Rob
    EightE1
  • bobby · 1 year ago
    he blows
  • matt · 1 year ago
    anyone else having trouble with the mp3's?
  • mojo · 1 year ago
    just checked, fine from here...
  • matt · 1 year ago
    Your server must not be dial-up friendly. Thanks anyways.
  • Johnny Bacardi · 1 year ago
    "Key West Intermezzo" is one of the best fucking songs I've ever heard in my life, and you're right, that album isn't half bad. Much of The Lonesome Jubilee is just amazing, especially "Check it Out".
  • JonCummings · 1 year ago
    For me, and for very personal reasons, the key moment in Mellencamp's career was the period following the release of The Lonesome Jubilee. On the album he veered toward bluegrass and "old-timey" music; on the tour that followed it, and then a couple of side projects, he dove in head-first. With a big assist from Lisa Germano, his shows during that tour featured full-on bluegrass breakdowns; then, his recordings for the Folkways: A Vision Shared anthology (Woody Guthrie's "Do Re Mi") and for A Very Special Christmas ("I Saw Mommy Kissing Santa Claus") were pure bluegrass, and fantastic.

    During this period (late 1987-late 1988) I briefly moved back to my hometown in southwestern Virginia from college in Chicago, not looking forward to returning to the backwards South I had fled four years before. But during the few months I lived back home, then after I moved up to Northern Virginia, I heard and loved Mellencamp's bluegrass-oriented tracks. My curiosity thus piqued, I opened myself up to all the Southern mountain culture I had ignored through my childhood--acoustic blues, early Bristol Sessions-era country, Sacred Harp gospel, etc.

    Those styles have become a big part of my musical universe, and led me to in-depth study of the music and other folklore of my part of the South. So I have a lot to thank Mr. Mellencamp for--even if, a year later, I was profoundly disappointed that the fiddles, banjos and dobro had disappeared on his hugely depressing Big Daddy album...
  • LM · 1 year ago
    Gosh, I love this man.
    Was likely the youngest person at his concert in Toronto who wasn't 'brought' to it by someone.

    Love him
  • Grulg · 1 year ago
    I will always be a fan of the Human Wheels album too from '93. That thing is about as good as anything he ever did-esp. 'What if I came knocking' and 'French Shoes' and 'Junior'. Check it out-if you haven't .