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The Popdose 100: The Best Movies of the Decade
Rain
She's Leaving Home
You Never Give Me Your Money
She Came In Through The Bathroom Window
Carry That Weight
Polythene Pam
Mean Mr. Mustard
In My Life
Strawberry Fields Forever
Blackbird
Yesterday
Penny Lane
Hey Jude
Being for the Benefit of Mr. Kite!
Ticket To Ride
Drive My Car
Something
The Fool on the Hill
Here Comes the Sun
Oh! Darling
I Feel Fine
I Want to Hold Your Hand
Let It Be
Eleanor Rigby
While My Guitar Gently Weeps
A Day in the Life
Revolution (White Album)
Two of Us
Norwegian Wood
The Word
Taxman
I'm Only Sleeping
Good Day Sunshine
And Your Bird Can Sing
I Want to Tell You
Getting Better
Because
Sun King
Golden Slumbers
The End
Actually, I feel the same about a couple of mine. I actually forgot "I'm Only Sleeping" and "Paperback Writer." How? Who knows? Yet, I'd probably only wind up extending my list; can't imagine not mentioning any of the ten I mentioned.
I'm Only Sleeping
Daytripper
I've Got a Feeling
Back in the USSR
Something
In My Life
And Your Bird Can Sing
Money (not technically a Beatles song, I know, but Lennon makes it his own)
Here Comes the Sun
Octopus' Garden (We all need a little whimsy in our life)
Got to Get You Into My Life
Birthday
Just wanted to say thanks to Ben & Ken for agreeing on DP at #14 of their lists.
'There's A Place - existential, haunting; the Beatles "In My Room" with weird harmonies
Things We Said Today - ancient English folk melody with a Ringo beat
Twist and Shout - explodes out of the speakers; a one-take shredded-larynx-stomper
Money - "I Wanna Be FREE!!"
I'll Be Back - Paul and John toying with the major/minor dichotomy; gorgeous
You Can't Do That - Lennon does Wilson Pickett; the lads at their funkiest
Misery - Lennon's first words to the world: "The world is treating me bad/MISERY!"
It Won't Be Long - 1st track on MEET THE BEATLES; a gauntlet thrown down; America surrenders
You Really Got A Hold On Me - pure Smokey soul, arguably better than the original
All I Got To Do - John takes Smokey's soul into his own and adds drama, tension, brilliance
A Hard Day's Night - from the opening chord to the closing jangle: Mastery.
I Should've Known Better - the innocent and sexy joy of a G going to a D and back to a G and back to a D and...
Baby It's You - vulnerable, sweet, soulful, perfect; Beatles meet Bacharach!
From Me To You - *especially* the first chord (G minor) of the bridge
I Feel Fine - Bmmmm. Waaaaaaaaaaaaaarrrrrrrrrhp. (i.e. the lads say hello to psychedelic accidents)
Here's a theory: The Beatles' early records suffer (in our collective memory) in comparison to their later-periods output, largely because their biggest 1963-64 singles were significantly less mature (as songwriting feats) than the best pop & soul of the early '60s (Roy Orbison, Smokey Robinson, etc.). The great album tracks on A Hard Day's Night, Beatles for Sale...even With the Beatles...are downgraded because they come from the era when the kids were screaming for "I Want to Hold Your Hand" and "Can't Buy Me Love." Discuss!
And, oh yeah - "I Saw Her Standing There". One-Two-Three-Fuck!
1) Revolution
2) A Day in the life
3) Twist N Shout
4) Here comes the Sun
5) Eight Days a week