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When I worked at Billboard in the mid-’90s, a stroll past dance editor Larry Flick’s cubicle was a necessity — he sat near the door — as well as an adventure. His turntable was always hopping with a new house, trance, or hi-NRG 12-inch, and often he c
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I'll also give a shout-out to Larry Flick... enjoyed his musical writings for quite a while now and actually met him some years back at IBR in San Francisco.