<?xml version="1.0" encoding="utf-8"?>
<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Popdose - Latest Comments in Lost in the &amp;#8217;80s:  Nitzer Ebb</title><link>http://popdose.disqus.com/</link><description>Culturally inspired writing.</description><atom:link href="https://popdose.disqus.com/lost_in_the_821780s_nitzer_ebb_23/latest.rss" rel="self"></atom:link><language>en</language><lastBuildDate>Tue, 22 Jul 2008 23:51:34 -0000</lastBuildDate><item><title>Re: Lost in the &amp;#8217;80s:  Nitzer Ebb</title><link>http://popdose.com/lost-in-the-80s-nitzer-ebb/#comment-973386</link><description>&lt;p&gt;Ahh, love the Ebb, I'll gladly sit through the entire first three albums, as well as the early singles comp &lt;i&gt;So Bright, So Strong&lt;/i&gt;.  However, you have to put me in one of those Clockwork Orange contraptions to make me listen to &lt;i&gt;Big Hit&lt;/i&gt; ever ever again...&lt;/p&gt;&lt;p&gt;Actually, the major label/Mode tour stuff isn't that odd--they were on Mute Records in the UK, which was a pretty hep thing in the mid-80s, I guess.  They toured with Mode a few times, Alan Wilder produced one of their albums and Doug McCarthy sang on some Recoil stuff, so the Mute family appears to have been A Big Happy One.  And they really didn't get any MTV time outside of 120 Minutes, although they were one of the few industrial bands that college radio actually played.&lt;/p&gt;&lt;p&gt;&lt;i&gt;Belief&lt;/i&gt; is awesome, but you stop right before they got really interesting on &lt;i&gt;Showtime&lt;/i&gt;, when they toned down the shouting and varied their style quite a bit.  "Nobody Knows" is the greatest industrial blues song of all time!&lt;/p&gt;&lt;p&gt;&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The Flyin Hawaiian UK</dc:creator><pubDate>Tue, 22 Jul 2008 23:51:34 -0000</pubDate></item></channel></rss>