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The Fourteenth Day of Mellowmas: 867-5309 To the World
Don't mean to imply anything here, Matt, but even when I was three or four, I got that the song's narrator wasn't really a ghost. Maybe Canadian kids are just naturally better at grasping metaphors?
In addition, to understand that he's not really a ghost wouldn't actually mean you've grasped the metaphor. To do that, you would have to also understand the more complex symbolism of the ghost representing someone who's "dead" in the eyes of the singer's former partner. I don't know many 3 or 4 year olds who would be able to grasp that concept.
And "Sundown" is about a vengeful man threatening his wayward lover. Day-um, Lightfoot is scary all around, isn't he?
And then you said, "Of course, now that I’m older and understand the concepts of metaphors and similes better, I realize that Gordon Lightfoot is not literally a ghost "
It's not illogical to assume that the point you were trying to make was that you literally thought, as a child, that the song was literally being sung by a ghost. In fact, after I read the article (but before I read the comments) that's what I thought you were trying to get across here, and not that you found the idea of G. Lightfoot *pretending* to be a ghost as spooky.
But hey, let's not quibble here. Anyone who champions Lightfoot's music is okay in my books. And the guy does have knack for music that has a disquieting subtext....
(Although for something scary in an altogether different way, try tracking down the very early (1962) single by "Gord" Lightfoot called "Negotitations". There's a Cold War metaphor in the song that has to be heard to be believed. I don't want to spoil things for you by going any further...)
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